Improv and Chromaticism

How to Use Outside Notes for Maximum Effect

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Watch this video first!

A few reasons why you need this primer on an improv fundamental: chromaticism!

"All I can say is WOW... Very well defined and methodical [...] I like the way you use basic concepts and build on them."

- Chuck, USA

Get Ready, Take Aim...

Welcome to Improv and Chromaticism! This is the first course of many focusing on very specific aspects of improv and crafting single-note solo lines - ideas we couldn’t explore in-depth in Improv 101, 102, and 103. This particular course is all about exploring the concept of “aiming super hard” at a target note in really fine detail using - you guessed it - chromaticism!


When we talk about using chromaticism to aim at notes, we’re really talking about using notes that fall outside the current implied chord scale. If you’re hearing a G7 and you hit an A# on your way to get to that B natural target note - that’s chromaticism!

Connecting Chords Logically

If you remember the 3 Pillars of Improvisation from our Improv series, this course mainly deals with the 2nd Pillar of Improvisation: “Connecting Chords Logically.” Now that you've gotten a handle on what notes you can play, you have to really solidify your understanding of targeting specific notes and how to aim at them. This is foundational stuff! In other words, if you have a really hard time aiming at the right notes at the right moments, it’s going to be way harder for you to freely play with interesting rhythms and create riveting phrases for your listeners.

In this course on Improv and Chromaticism, we'll outline the "basic moves" that you need to make in order to perfectly target and approach any note you want to at the right time. Your job is to take these foundational techniques and TRAIN THEM: practice targeting notes that you’re not used to targeting; practice delaying or anticipating an approach so that you can pull that technique out of your hat at a moment’s notice; and make sure to try these studies in multiple keys, at multiple tempos, on many different standards and chord progressions!

Your Instructor

Marc-Andre Seguin
Marc-Andre Seguin

Marc-Andre Seguin is the webmaster, mastermind and teacher on, the #1 online resource for learning how to play jazz guitar.

He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar.

This course is closed for enrollment.

Course Curriculum

  Improv and Chromaticism - Backing Tracks
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  Section 1 - Rules of the Game (The Second Pillar of Improvisation
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  Section 5 - Wrap-Up
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If you've made an honest effort to use the materials in this product during 4 weeks and you're not satisfied and/or did not see any improvements in your playing, then we'll give you a 100% refund.

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"Excellent - clear, straightforward and entirely manageable for a player. Had fun experimenting [...] entices me to make progress."

- Peter, New Zealand

I'm truly humbled to have you in my life, Marc. Your wonderful advice, passion for teaching, and extraordinary talent as a guitarist has been a guiding light for me from my first day back into this realm three years ago. I remember certain things you told me that have resonated: 1) "It took me four years to gain proficiency." 2) "Even though your guitar may be hard to play now, keep at it, and it will get easier."

- Thaddeus G., Jr.

Frequently Asked Questions

I want to master jazz guitar - would this be a good place to start?
We have a progressively-ranked curriculum designed to help you master jazz guitar, so you're definitely in the right place. However, you should take a look at our Learning Path to see and decide if you would like to start with this course based on your current proficiency with jazz guitar. Our Learning Path is our suggested course order through our curriculum, so click here to check it out!
What's the best way to use the materials in this course?
Take it slowly! There's no time-limit on this course, so focus on an entire module every week. The better you master the material in earlier sections of the course, the easier of a time you'll have as you progress.
I've tried to learn jazz before, and so I'm afraid this is too complex for my level. What if I am unhappy with the course after I purchase it?
We know that jazz is a hard style of guitar to master, let alone learn. With that said, we want to remove any fears you have to give it your best shot, and we believe our courses are the BEST the internet has to offer. Go ahead and purchase the course, and if you are unsatisfied with your progress IN ANY WAY, contact us in the first 30 days and we will give you a full refund.
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